lirik lagu rem losing my religion

Housedin a picture sleeve with lyric insert. The sleeve has a slight crease at the top opening edge, otherwise this copy is in mint condition) REM Losing My Religion (Rare 1991 US-pressed 1-track promotional-only CD exported to Japan for promo purposes, includes the Album Version [4:26]. Housed in a jewel case with custom picture sleeve Zostaat in Europa Dance Monkey weer op nummer 1. En ook de rest van de Top 5 van maar staat vol meespeelliedjes die we al uit eerdere maanden kennen. Neem bijvoorbeeld Losing My Religion van REM: uitgebracht in 1991. En er zitten ook moderne klassiekers tussen, zoals Daniel Caesar: terug op nummer 1 in de Top 5 van Noord-Amerika en Oceanië. Answer(1 of 3): I can only speculate When I read the lyrics, I thought maybe it was about someone cheating in a relationship, and trying to decide if they should confess. But other sources say the song is about unrequited love For people not from the same geographical region as REM, Losing My Thelengths that I will go to. The distance in your eyes. Oh no, I've said too much. I set it up. That's me in the corner. That's me in the spotlight. Losing my religion. Trying to keep up with you. And I don't know if I can do it. Bolacom, Jakarta - Oh Life is biggerIt's bigger than youAnd you are not meThe lengths that I will go toThe distance in your eyesOh no I've said too muchI set it upThat's me in the cornerThat's me in the spotlightLosing my religionTrying to keep a viewAnd I don't know if I can do itOh no I've said too muchI haven't said enoughI thought that I heard you laughingI thought that I heard you singI Site De Rencontre Meetic 3 Jours Gratuit. The title is a variation on the Southern expression "lost my religion," meaning something has challenged your faith to such a degree you might lose your religion. The song has nothing to do with religion, but the title is significant If you are "losing your religion" over a person, you are losing faith in that person and questioning the lead singer Michael Stipe wrote the lyrics, which he has said are about "obsession" and "unrequited love," which is powerful and dangerous combination. Throughout the song, he is baring his soul, searching for hidden meaning and hopeful signs, but driving himself mad in the process."I love the idea of writing a song about unrequited love," he told Top 2000 a gogo. "About holding back, reaching forward, and then pulling back again. The thing for me that is most thrilling is you don't know if the person I'm reaching out for is aware of me. If they even know I exist. It's this really tearful, heartfelt thing that found its way into one of the best pieces of music the band ever gave me."This song has its origins in guitarist Peter Buck's efforts to try learn to play the mandolin. When he played back recordings of his first attempts, he heard the riff and thought it might make a good basis for a song. Explaining how the song came together musically, Buck told Guitar School in 1991 "I started it on mandolin and came up with the riff and chorus. The verses are the kinds of things uses a lot, going from one minor to another, kind of like those 'Driver 8' chords. You can't really say anything bad about E minor, A minor, D, and G - I mean, they're just good then worked it up in the studio - it was written with electric bass, drums, and mandolin. So it had a hollow feel to it. There's absolutely no midrange on it, just low end and high end, because Mike usually stayed pretty low on the bass. This was when we decided we'd get Peter Holsapple to record with us, and he played live acoustic guitar on this one. It was really cool Peter and I would be in our little booth, sweating away, and Bill and Mike would be out there in the other room going at it. It just had a really magical I'm proud to say every bit of mandolin on the record was recorded live - I did no overdubbing. If you listen closely, on one of the verses there's a place where I muffled it, and I thought, well, I can't go back and punch it up, because it's supposed to be a live track. That was the whole idea."The video was directed by Tarsem Singh, who also did En Vogue's "Hold On" and the Jennifer Lopez movie The Cell. It's a very ambitious video filled with striking, vivid, biblical concept is based in part on Gabriel Garcia Marquez' A Very Old Man with Enormous Wings. The novel tells the story of an angel who falls down from heaven and is displayed for profit as a "freak show." Michael Stipe is a big Marquez fan and the whole idea of obsession and unrequited love is the central theme of the author's masterpiece, Love in the Time of Cholera. The first line of that novel is "It was inevitable the scent of bitter almonds always reminded him of the fate of unrequited love." >>Suggestion credit Gabriela - Santiago, Chile was surprised when their record label chose "Losing My Religion" as the first single from their seventh album, Out Of Time. Running 428 with no chorus and a mandolin for a lead instrument, it didn't seem like hit material, but it ended up being the biggest hit of their career. Their next single, "Shiny Happy People," was much more straightforward. This won the Grammy in 1991 for Best Pop Performance by a Duo or Group with Stipe's dancing ties the video together as he moves like he is in the throes of revelation, a contrast to all the other characters who are barely moving. He wasn't supposed to dance The treatment had him singing lines from various poses, but when they shot it that way, it didn't work at all. This put director Tarsem Singh's grand production in jeopardy; he was so upset, he went to the bathroom and threw up. When he emerged, Stipe said, "Let me try to dance."There was no choreography - Stipe just let the spirit move him, and the results were sublime. He says his dancing is a mashup of Sinead O'Connor's moves in her "The Emperor's New Clothes" video and David Byrne's gyrations in his "Once In A Lifetime" remembers being hot and bothered when recording his vocal. His heartfelt lyric needed a certain feel that was hard to achieve in the studio, so he recorded a lot of takes. He wasn't happy with the engineer, who seemed out of it. "I was very upset," he told Top 2000 a gogo. "I also got really hot because I was all worked up, so I took my clothes off and recorded the song almost naked."This was given the working title of "Sugar Cane" when the band demoed it in July 1990 at a studio in to Peter Buck, "Losing My Religion" marked the nexus when went from a respected band with a cult following to one of the biggest bands in the world. He talked about recording the song on the In Time compilation"The music was written in five minutes. The first time the band played it, it fell into place perfectly. Michael had the lyrics within the hour, and while playing the song for the third or fourth time, I found my self incredibly moved to hear the vocals in conjunction with the music. To me, 'Losing My Religion' feels like some kind archetype that was floating around in space that we managed to lasso. If only all songwriting was this easy."A common misinterpretation of this song is that it was about John Lennon's death, with the lyrics, "What if all these fantasies come flailing around" being a reference to Lennon's last album Double Stipe took a laid-back approach with this song "I remember that I sang this in one go with my shirt off. I don't think any of us had any idea it would ever be ... anything," he noted in Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011. Peter Buck added that Warner Bros. didn't even want the song as a single, and everyone was surprised when it took off. "It changed our world. We went from selling a few million worldwide with Green to over 10 million. It was in that area where we had never been before which isn't bad," he was used on Beverly Hills, 90210 in the 1991 episodes "Beach Blanket Brandon" and "Down and Out of District in Beverly Hills"; on Smallville in the 2003 episode "Slumber"; on Glee in the 2010 episode "Grilled Cheesus"; and on Parks and Recreation in the 2013 episode "Filibuster."Peter Buck recalled to Uncut "I bought a mandolin on tour in '87, I think. It became a good songwriting tool. It never occurred to me to play mandolin in a bluegrass style. For me it was a rock instrument."Producer Scott Litt recalled his contribution to Mojo "I remember mixing 'Losing My Religion' at Paisley Park. I had Bill Berry, drums nudging up to me and saying, 'You know, I think the drums could be louder', and he was spot on. The strings and the vocals are maybe more memorable, but the drums are really important. He's even doubling the mandolin figure at the beginning. The last mix on that song was 'drums boosted' and that became the track."When introducing the song during an appearance on MTV Unplugged, Stipe pointed to the audience and said, "This is about you." Mojo asked him what he meant. He replied shrugging, "No idea. It's something I said on a night in 1991. I have no idea why I said it. Of course we attach the narrative in a song to the person with the voice, which is me. And so I get that. But it was not autobiographic."Artists to cover this song include Tori Amos, Lacuna Coil, Trivium and Swandive. Two versions have charted in America the Glee Cast took it to 60 in 2010, and Dia Frampton's version went to 54 in video was the big winner at the MTV Video Music Awards, winning six moonmen, including Video of the Year and Breakthrough about the song on the Netflix show Song Exploder, Michael Stipe revealed the lyrics about obsessional love were heavily influenced by The Police's "Every Breath You Take," which he called "the most beautiful, kind of creepy song."That's me in the cornerThat's me in the spotlightMichael Stipe originally wrote the lyric asThat's me in the cornerThat's me in the kitchen"What I was pulling from was being the shy wallflower who hangs back at the party or at the dance and doesn't go up to the person that you're madly in love with and say 'I've kind of got a crush on you, how do you feel about me?,'" he told Rick Rubin on the Broken Record podcast."There's this whole relationship that's happening only in the person's mind and he doesn't know whether he's said too much or hasn't said enough," Stipe continued. "He's like, in the corner of the dance floor watching everyone dance and watching the love of his life on the dance floor dancing with everyone cause that's the most exciting person. Or, he's in the kitchen behind the refrigerator."Then, one switch of words altered everything. "I changed 'kitchen' to 'spotlight' and instantly of course the song became about me, which it never was," he said. Life is biggerHidup itu lebih besarIt’s bigger than youIni lebih besar dari AndaAnd you are not meDan kau bukan akuThe lengths that I will go toPanjang yang akan saya tujuThe distance in your eyesJarak di matamuOh no I’ve said too muchOh, tidak, saya sudah bilang terlalu banyakI set it upAku mengaturnya That’s me in the cornerItu ada di pojok sayaThat’s me in the spotlightItulah yang menjadi sorotan sayaLosing my religionKehilangan keyakinanTrying to keep up with youMencoba untuk mengikuti AndaAnd I don’t know if I can do itDan saya tidak tahu apakah saya bisa melakukannyaOh no I’ve said too muchOh, tidak, saya sudah bilang terlalu banyakI haven’t said enoughAku belum cukup bicaraI thought that I heard you laughingSaya pikir saya mendengar Anda tertawaI thought that I heard you singKupikir aku mendengarmu bernyanyiI think I thought I saw you trySaya pikir saya pikir saya melihat Anda mencoba Every whisperSetiap bisikanOf every waking hour I’mDari setiap jam bangun saya, mChoosing my confessionsMemilih pengakuan sayaTrying to keep an eye on youMencoba mengawasimuLike a hurt lost and blinded foolSeperti luka yang hilang dan dibutakan bodohOh no I’ve said too muchOh, tidak, saya sudah bilang terlalu banyakI set it upAku mengaturnya Consider thisPertimbangkan iniThe hint of the centuryPetunjuk dari abad iniConsider thisPertimbangkan iniThe slip that brought meSlip yang membawakuTo my knees failedBerlutut gagalWhat if all these fantasiesBagaimana jika semua fantasi ini?Come flailing aroundAyo bergemuruhNow I’ve said too muchSekarang saya sudah banyak bicaraI thought that I heard you laughingSaya pikir saya mendengar Anda tertawaI thought that I heard you singKupikir aku mendengarmu bernyanyiI think I thought I saw you trySaya pikir saya pikir saya melihat Anda mencoba But that was just a dreamTapi itu hanya mimpiThat was just a dreamItu hanya mimpi

lirik lagu rem losing my religion